Claire Barry and Bart Devolder. “Surface and Format: Observations on the Materials, Process and Condition of Cubist Paintings, 1910–1912.” In Picasso and Braque: The Cubist Experiment 1910–1912, edited by Eik Kahng. New Haven and London, 2011, pp. 105–127.

Claire Barry. “Observations on Workshop Practice in Fifteenth-Century Castile: The Altarpiece from the Cathedral at Ciudad Rodrigo by Fernando Gallego and His Workshop.” In Studying Old Master Paintings: Technology and Practice, edited by Marika Spring. London, 2011, pp. 80–88.

Claire Barry. “Across the Final Surface: Observations on Charles Demuth’s Painting Materials and Working Methods in His Late Industrial Oil Paintings.” In Betsy Fahlman, Chimneys and Towers: Charles Demuth’s Late Paintings of Lancaster. Fort Worth, 2007, pp. 139–183.

Claire Barry. “Preserving the Light.” Apollo Magazine (October 2007), pp. 52–57.

Claire Barry. “The Painting Technique of Anne Vallayer-Coster: Searching for the Origins of Style.” In Anne Vallayer-Coster: Painter to the Court of Marie-Antoinette, edited by Eik Kahng and Marianne Roland Michel. New Haven and London, 2002, pp. 95–113.

Claire Barry. “Looking at Murillo’s Technique.” In Suzanne L. Stratton-Pruitt, Bartolomé Esteban Murillo (1617–1682): Paintings from American Collections. New York, 2002, pp. 75–89.

Claire Barry. “ ‘Swimming’ by Thomas Eakins: Its Construction, Condition and Restoration.” In Thomas Eakins and the Swimming Picture, edited by Doreen Bolger and Sarah Cash. Fort Worth, 1996, pp. 98–116.

Claire Barry. “La Tour and Autoradiography.” In Georges de La Tour and His World, edited by Philip Conisbee. Washington, DC, 1996, pp. 287–301.

Claire Barry. “Technical Note: ‘Painting in Imagination’: The Creation of ‘The Garden of Eden’ by Thomas Cole.” In Franklin Kelly, Thomas Cole’s Paintings of Eden. Fort Worth, 1994, pp. 55–66.

Claire Barry. “Technical Notes to the Annotated Checklist of the Exhibition.” In Sarah Cash, Ominous Hush: The Thunderstorm Paintings of Martin Johnson Head. Fort Worth, 1994, pp. 83–87.

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