Publications

• Claire Barry and Bart Devolder. “Surface and Format: Observations on the Materials, Process and Condition of Cubist Paintings, 1910–1912.” In Picasso and Braque: The Cubist Experiment 1910–1912, edited by Eik Kahng. New Haven and London, 2011, pp. 105–127.

• Claire Barry. “Observations on Workshop Practice in Fifteenth-Century Castile: The Altarpiece from the Cathedral at Ciudad Rodrigo by Fernando Gallego and His Workshop.” In Studying Old Master Paintings: Technology and Practice, edited by Marika Spring. London, 2011, pp. 80–88.

• Claire Barry. “Across the Final Surface: Observations on Charles Demuth’s Painting Materials and Working Methods in His Late Industrial Oil Paintings.” In Betsy Fahlman, Chimneys and Towers: Charles Demuth’s Late Paintings of Lancaster. Fort Worth, 2007, pp. 139–183.

• Claire Barry. “Preserving the Light.” Apollo Magazine (October 2007), pp. 52–57.

• Claire Barry. “The Painting Technique of Anne Vallayer-Coster: Searching for the Origins of Style.” In Anne Vallayer-Coster: Painter to the Court of Marie-Antoinette, edited by Eik Kahng and Marianne Roland Michel. New Haven and London, 2002, pp. 95–113.

• Claire Barry. “Looking at Murillo’s Technique.” In Suzanne L. Stratton-Pruitt, Bartolomé Esteban Murillo (1617–1682): Paintings from American Collections. New York, 2002, pp. 75–89.

• Claire Barry. “ ‘Swimming’ by Thomas Eakins: Its Construction, Condition and Restoration.” In Thomas Eakins and the Swimming Picture, edited by Doreen Bolger and Sarah Cash. Fort Worth, 1996, pp. 98–116.

• Claire Barry. “La Tour and Autoradiography.” In Georges de La Tour and His World, edited by Philip Conisbee. Washington, DC, 1996, pp. 287–301.

• Claire Barry. “Technical Note: ‘Painting in Imagination’: The Creation of ‘The Garden of Eden’ by Thomas Cole.” In Franklin Kelly, Thomas Cole’s Paintings of Eden. Fort Worth, 1994, pp. 55–66.

• Claire Barry. “Technical Notes to the Annotated Checklist of the Exhibition.” In Sarah Cash, Ominous Hush: The Thunderstorm Paintings of Martin Johnson Head. Fort Worth, 1994, pp. 83–87.