On View

The Sacrament of Ordination (Christ Presenting the Keys to Saint Peter) is Poussin's oil painting depicting the gospel account of Christ giving the keys of heaven and earth to the kneeling apostle Peter, showing the authority vested in him as head of the Roman church
The Sacrament of Ordination (Christ Presenting the Keys to Saint Peter)
The Sacrament of Ordination (Christ Presenting the Keys to Saint Peter)
The Sacrament of Ordination (Christ Presenting the Keys to Saint Peter) is Poussin's oil painting depicting the gospel account of Christ giving the keys of heaven and earth to the kneeling apostle Peter, showing the authority vested in him as head of the Roman church

The Sacrament of Ordination (Christ Presenting the Keys to Saint Peter)

Nicolas Poussin
French (1594–1665)
17th century
c. 1636-40
Oil on canvas
37 3/4 x 47 7/8 in. (95.9 x 121.6 cm) Framed: 53 1/2 × 63 1/2 × 5 1/2 in. (135.9 × 161.3 × 14 cm)
AP 2011.01
The Sacrament of Ordination is from one of the most celebrated groups of paintings in the entire history of art. The set depicting each of the Seven Sacraments was commissioned from Poussin by the antiquarian Cassiano dal Pozzo, secretary to Cardinal Francesco Barberini.
In the Peasant Interior with an Old Flute Player, the scene is an idealized portrayal of peasant life in which the group is still and silent but for the sound of the flute.
Peasant Interior with an Old Flute Player
Peasant Interior with an Old Flute Player
In the Peasant Interior with an Old Flute Player, the scene is an idealized portrayal of peasant life in which the group is still and silent but for the sound of the flute.

Peasant Interior with an Old Flute Player

Louis (or Antoine?) Le Nain
French (c. 1600/1603–1648)
17th century
c. 1642
Oil on canvas
21 5/16 x 24 7/16 in. (54.1 x 62.1 cm) Framed: 28 1/2 x 32 x 4 1/2 in. (72.4 x 81.3 x 11.4 cm)
AP 1984.22
The Le Nain brothers––Antoine, Louis, and Mathieu––were born in Laon and settled in the artist’s community of Saint-Germain-des-Prés, in Paris, by 1629. The brothers were founding members of the Royal Academy of Painting and Sculpture in 1648.
In Interior of the Buurkerk, Utrecht, a crisp, cool light floods the interior, enlivening it with blue and pink tones as it strikes the varied surfaces of the vaults and floor tiles, the thinly painted figures providing a sense of scale.
Interior of the Buurkerk, Utrecht
Interior of the Buurkerk, Utrecht
In Interior of the Buurkerk, Utrecht, a crisp, cool light floods the interior, enlivening it with blue and pink tones as it strikes the varied surfaces of the vaults and floor tiles, the thinly painted figures providing a sense of scale.

Interior of the Buurkerk, Utrecht

Pieter Jansz. Saenredam
Dutch (1597–1665)
17th century
1645
Oil on panel
22 7/8 x 20 in. (58.1 x 50.8 cm) Framed: 32 1/8 x 29 x 2 7/8 in. (81.6 x 73.7 x 7.3 cm)
AP 1986.09
Following a lengthy apprenticeship with a local Haarlem painter, Pieter Saenredam made a career specializing in what might be termed architectural portraiture.
The Madonna and Child with Saint Martina is a devotional painting in which the martyr gazes fervently at the Christ Child while holding the forked iron hook with which she was tortured, and accepting the palm of martyrdom.
The Madonna and Child with Saint Martina
The Madonna and Child with Saint Martina
The Madonna and Child with Saint Martina is a devotional painting in which the martyr gazes fervently at the Christ Child while holding the forked iron hook with which she was tortured, and accepting the palm of martyrdom.

The Madonna and Child with Saint Martina

Pietro da Cortona
Italian (1596–1669)
17th century
c. 1645
Oil on canvas
27 9/16 x 22 13/16 in. (70 x 58 cm) Framed: 39 x 35 1/2 x 3 1/4 in. (99.1 x 90.1 x 8.3 cm)
AP 1984.07
In this devotional painting, Saint Martina, a third-century martyr who was put to death for refusing to worship idols, gazes fervently at the Christ Child while holding the forked iron hook with which she was tortured, and accepting the palm of martyrdom.
Rough Sea at a Jetty represents the approach of a violent storm. At the end of the jetty is a rustic beacon to guide distressed ships into harbor. Two men with long poles stand, ready to come to the aid of a vessel
Rough Sea at a Jetty
Rough Sea at a Jetty
Rough Sea at a Jetty represents the approach of a violent storm. At the end of the jetty is a rustic beacon to guide distressed ships into harbor. Two men with long poles stand, ready to come to the aid of a vessel

Rough Sea at a Jetty

Jacob van Ruisdael
Dutch (1628/29–1682)
17th century
1650s
Oil on canvas
38 3/4 x 51 3/4 in. (98.5 x 131.4 cm) Framed: 51 x 65 x 4 in. (129.5 x 165.1 x 10.2 cm)
AP 1989.01
Jacob van Ruisdael elevated landscape painting to the level of high art. Recording the familiar wooded hills, flat farmlands, and coastal dunes of the Netherlands, his work went beyond the topographic accuracy of earlier generations to achieve a sense of the monumental grandeur of nature.
Bamboo, Rock, and Narcissus is a painting on a paper scroll of wild narcissi and short sprigs of young bamboo growing at the base of a rock.
Bamboo, Rock, and Narcissus
Bamboo, Rock, and Narcissus
Bamboo, Rock, and Narcissus is a painting on a paper scroll of wild narcissi and short sprigs of young bamboo growing at the base of a rock.

Bamboo, Rock, and Narcissus

Chen Jiayen
Chinese (1599–c. 1685)
Qing dynasty (1644–1911)
1652
Hanging scroll; ink on paper
31 1/2 x 17 1/8 in. (80 x 43.5 cm)
AP 1984.20
This painting of wild narcissi and short sprigs of young bamboo growing at the base of a rock is a masterwork of the artist Chen Jiayen. Forcefully executed with quick, bold brushstrokes in soft, gradated tones of ink wash, the primary forms of the Kimbell painting have a remarkable solidity.
Modello for the Fountain of the Moor is a dramatic terracotta sculpture of a twisting triton (a minor sea-deity of Greek mythology) grappling with a fish atop a gigantic shell
Modello for the Fountain of the Moor
Modello for the Fountain of the Moor
Modello for the Fountain of the Moor is a dramatic terracotta sculpture of a twisting triton (a minor sea-deity of Greek mythology) grappling with a fish atop a gigantic shell

Modello for the Fountain of the Moor

Gian Lorenzo Bernini
Italian (1598–1680)
17th century
1653
Terracotta
31 11/16 in. (80.5 cm)
AP 2003.01
Bernini made this dramatic image of a triton (a minor sea-deity of Greek mythology) grappling with a fish atop a gigantic shell as a presentation model for Pope Innocent X Pamphili, who in 1651 commissioned the artist to design a new centerpiece for the fountain at the south end of the Piazza Navona
In Four Figures on a Step, a young woman beside the smiling young man twists her face into a wink as she lifts up the scarf over her head. The older woman protectively cradles the head of a boy whose torn breeches reveal his backside.
Four Figures on a Step
Four Figures on a Step
In Four Figures on a Step, a young woman beside the smiling young man twists her face into a wink as she lifts up the scarf over her head. The older woman protectively cradles the head of a boy whose torn breeches reveal his backside.

Four Figures on a Step

Bartolomé Esteban Murillo
Spanish (1617–1682)
17th century
c. 1655–60
Oil on canvas
43 1/4 x 56 1/2 in. (109.9 x 143.5 cm) Framed: 55 1/2 x 69 in. (141 x 175.3 cm)
AP 1984.18
The leading religious painter of Seville and a great master of Spain’s golden age, Murillo was one of the most celebrated of all European artists until his reputation was eclipsed by those of Velázquez and El Greco in the late nineteenth century.
Edge of a Forest with a Grainfield is van Ruisdael's acclaimed landscape of a grove of old oak and elm trees stands beside a pool or a stream, at the intersection of a sandy road or path. Tall timbers reach towards a cloudy sky.
Edge of a Forest with a Grainfield
Edge of a Forest with a Grainfield
Edge of a Forest with a Grainfield is van Ruisdael's acclaimed landscape of a grove of old oak and elm trees stands beside a pool or a stream, at the intersection of a sandy road or path. Tall timbers reach towards a cloudy sky.

Edge of a Forest with a Grainfield

Jacob van Ruisdael
Dutch (1628/29–1682)
17th century
c. 1656
Oil on canvas
41 × 57 1/2 in. (104.1 × 146.1 cm)
AP 2014.01
Jacob van Ruisdael, one of the greatest landscape painters of all time, flourished in the latter half of the seventeenth century, Holland’s “Golden Age.” Born in Haarlem in 1628 or 1629, the son of a painter and picture dealer, Ruisdael was probably tutored by his uncle Salomon van Ruysdael, another
n Dentist by Candlelight, Dou depicts a tooth-puller with long-suffering patient and concerned onlooker, here no doubt his wife.
Dentist by Candlelight
Dentist by Candlelight
n Dentist by Candlelight, Dou depicts a tooth-puller with long-suffering patient and concerned onlooker, here no doubt his wife.

Dentist by Candlelight

Gerrit Dou
Dutch (1613–1675)
17th century
c. 1660–65
Oil on oak panel
14 5/8 x 10 7/8 in. (37.2 x 27.7 cm) Framed: 22 3/4 x 19 x 2 3/8 in. (57.8 x 48.3 x 6 cm)
AP 2002.01
The contemporary of Johannes Vermeer and Pieter de Hooch, Gerrit Dou was the founder of the so-called fijnschilders (“fine painters”) of his native Leiden, notable for the miniaturistic detail and polished surface of their work.
Bust of a Young Jew is Rembrandt's dramatic character study of a young jew with a full beard, curly hair-style, and black skullcap
Bust of a Young Jew
Bust of a Young Jew
Bust of a Young Jew is Rembrandt's dramatic character study of a young jew with a full beard, curly hair-style, and black skullcap

Bust of a Young Jew

Rembrandt van Rijn
Dutch (1606–1669)
17th century
1663
Oil on canvas
25 7/8 x 22 5/8 in. (65.8 x 57.5 cm)
AP 1977.04
Rembrandt van Rijn is recognized as the greatest Dutch painter of the seventeenth century, famed for his versatility in all genres: portraits, landscapes, and history painting, including secular, religious, and mythological subjects.
Arhat and Deer is a painting on silk of a holy man. The sparsely bearded figure of an old man holding a walking staff resembles conventional depictions of San Shin, the Mountain Spirit, however, his bald head surrounded by a halo, and monk’s robes, suggests a Buddhist holy man, or arhat.
Arhat and Deer
Arhat and Deer
Arhat and Deer is a painting on silk of a holy man. The sparsely bearded figure of an old man holding a walking staff resembles conventional depictions of San Shin, the Mountain Spirit, however, his bald head surrounded by a halo, and monk’s robes, suggests a Buddhist holy man, or arhat.

Arhat and Deer

Korea
Joseon dynasty (1392–1910)
Late 17th century
Ink, mineral pigments, and gold on silk
31 x 35 in. (78.7 x 88.9 cm)
AP 1995.06
The blending of Korean Shamanist and traditional Buddhist iconographies can be seen in this painting of an arhat and deer.
Pastoral Landscape is an ideal landscape view by Claude Lorrain's with classical ruins and carefully calibrated landscape elements.
Pastoral Landscape
Pastoral Landscape
Pastoral Landscape is an ideal landscape view by Claude Lorrain's with classical ruins and carefully calibrated landscape elements.

Pastoral Landscape

Claude Lorrain
French (c. 1604/5–1682)
17th century
1677
Oil on canvas
22 1/2 x 32 3/8 in. (57.2 x 82.2 cm) Framed: 32 x 41 5/8 x 3 1/2 in. (81.3 x 105.7 x 8.9 cm)
APx 1967.04
This is one of at least nine paintings that Claude created for Prince Lorenzo Onofrio Colonna, a great connoisseur and collector, between 1663 and 1682.
Bowl with Bamboo Leaf Design is a ceramic bowl from Japan.
Bowl with Bamboo Leaf Design
Bowl with Bamboo Leaf Design
Bowl with Bamboo Leaf Design is a ceramic bowl from Japan.

Bowl with Bamboo Leaf Design

Ogata Kenzan
Japanese (1663–1743)
Edo period (1615–1868)
early 18th century
Stoneware with underglaze iron oxide and transparent glaze
2 7/16 x 4 3/4 in. (6.2 x 12 cm)
AP 1969.09
Ogata Kenzan, one of the great masters of painted ceramics in the Edo period (1615–1868), produced a distinctive style of freely brushed grasses, blossoms, and birds as decorative motifs for pottery. His pieces were noted for their perfect relation between design and shape.
Bowl with Pampas Grass Design is a ceramic bowl from Japan.
Bowl with Pampas Grass Design
Bowl with Pampas Grass Design
Bowl with Pampas Grass Design is a ceramic bowl from Japan.

Bowl with Pampas Grass Design

Ogata Kenzan
Japanese (1663–1743)
Edo period (1615–1868)
early 18th century
Stoneware with iron oxide, colored enamels, and transparent glaze
3 3/8 x 4 in. (8.5 x 10.2 cm)
AP 1971.10
Ogata Kenzan, one of the great masters of painted ceramics in the Edo period (1615–1868), produced a distinctive style of freely brushed grasses, blossoms, and birds as decorative motifs for pottery. Kenzan’s famous workshop in Kyoto introduced innovative uses of pigments and glazes to pottery.
Shoki Ensnaring a Demon in a Spider Web is a two-fold paper screen depicting of a Chinese popular hero, Zhong Kui, whose spirit dedicated itself to protecting the empire from demons.
Shoki Ensnaring a Demon in a Spider Web
Shoki Ensnaring a Demon in a Spider Web
Shoki Ensnaring a Demon in a Spider Web is a two-fold paper screen depicting of a Chinese popular hero, Zhong Kui, whose spirit dedicated itself to protecting the empire from demons.

Shoki Ensnaring a Demon in a Spider Web

Soga Shohaku
Japanese (1730–1781)
Edo period (1615–1868)
18th century
Two-fold screen; ink on paper
62 1/2 x 68 1/16 in. (158.7 x 172.8 cm)
AP 1987.07
Soga Shohaku was one of the Three Eccentrics of the Edo period (1615–1868). Accounts of Shohaku’s life are full of anecdotes about his bizarre behavior, and stories about him took on a legendary character.

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