On View

Bamboo, Rock, and Narcissus
Bamboo, Rock, and Narcissus

Bamboo, Rock, and Narcissus

Chen Jiayen
Chinese (1599–c. 1685)
Qing dynasty (1644–1911)
1652
Hanging scroll; ink on paper
31 1/2 x 17 1/8 in. (80 x 43.5 cm)
AP 1984.20
This painting of wild narcissi and short sprigs of young bamboo growing at the base of a rock is a masterwork of the artist Chen Jiayen. Forcefully executed with quick, bold brushstrokes in soft, gradated tones of ink wash, the primary forms of the Kimbell painting have a remarkable solidity.
Modello for the Fountain of the Moor
Modello for the Fountain of the Moor

Modello for the Fountain of the Moor

Gian Lorenzo Bernini
Italian (1598–1680)
17th century
1653
Terracotta
31 11/16 in. (80.5 cm)
AP 2003.01
Bernini made this dramatic image of a triton (a minor sea-deity of Greek mythology) grappling with a fish atop a gigantic shell as a presentation model for Pope Innocent X Pamphili, who in 1651 commissioned the artist to design a new centerpiece for the fountain at the south end of the Piazza Navona
Four Figures on a Step
Four Figures on a Step

Four Figures on a Step

Bartolomé Esteban Murillo
Spanish (1617–1682)
17th century
c. 1655–60
Oil on canvas
43 1/4 x 56 1/2 in. (109.9 x 143.5 cm) Framed: 55 1/2 x 69 in. (141 x 175.3 cm)
AP 1984.18
The leading religious painter of Seville and a great master of Spain’s golden age, Murillo was one of the most celebrated of all European artists until his reputation was eclipsed by those of Velázquez and El Greco in the late nineteenth century.
Dentist by Candlelight
Dentist by Candlelight

Dentist by Candlelight

Gerrit Dou
Dutch (1613–1675)
17th century
c. 1660–65
Oil on oak panel
14 5/8 x 10 7/8 in. (37.2 x 27.7 cm) Framed: 22 3/4 x 19 x 2 3/8 in. (57.8 x 48.3 x 6 cm)
AP 2002.01
The contemporary of Johannes Vermeer and Pieter de Hooch, Gerrit Dou was the founder of the so-called fijnschilders (“fine painters”) of his native Leiden, notable for the miniaturistic detail and polished surface of their work.
Pythagoras Emerging from the Underworld
Pythagoras Emerging from the Underworld

Pythagoras Emerging from the Underworld

Salvator Rosa
Italian (1615–1673)
17th century
1662
Oil on canvas
51 5/8 x 74 7/16 in. (131.2 x 189 cm) Framed: 65 x 88 x 4 in. (165.1 x 223.5 x 10.2 cm)
AP 1970.22
Born and educated in Naples, Rosa lived for more than eight years in Florence before settling in Rome in 1649. He was impressed by both the naturalism of Ribera and the classicism of Poussin, but, being extremely independent of spirit and confident of his own genius, he allied himself with no one.
Bust of a Young Jew
Bust of a Young Jew

Bust of a Young Jew

Rembrandt van Rijn
Dutch (1606–1669)
17th century
1663
Oil on canvas
25 7/8 x 22 5/8 in. (65.8 x 57.5 cm)
AP 1977.04
Rembrandt van Rijn is recognized as the greatest Dutch painter of the seventeenth century, famed for his versatility in all genres: portraits, landscapes, and history painting, including secular, religious, and mythological subjects.
Angel with the Superscription and Angel with the Crown of Thorns
Angel with the Superscription and Angel with the Crown of Thorns

Angel with the Superscription and Angel with the Crown of Thorns

Gian Lorenzo Bernini
Italian (1598–1680)
17th century
1668
Terracotta
a: 11 1/2 x 6 3/8 x 5 1/8 in. (29.2 x 16.2 x 13 cm) b: 11 7/8 x 6 x 6 in. (30.2 x 15.2 x 15.2 cm)
AP 1987.02 a,b
The leading sculptor of Baroque Italy, Gianlorenzo Bernini, reshaped the ancient city of Rome in a series of brilliant architectural and sculptural projects that affirmed its identity as the seat of the Roman Catholic Church.
Pastoral Landscape
Pastoral Landscape

Pastoral Landscape

Claude Lorrain
French (c. 1604/5–1682)
17th century
1677
Oil on canvas
22 1/2 x 32 3/8 in. (57.2 x 82.2 cm) Framed: 32 x 41 5/8 x 3 1/2 in. (81.3 x 105.7 x 8.9 cm)
APx 1967.04
This is one of at least nine paintings that Claude created for Prince Lorenzo Onofrio Colonna, a great connoisseur and collector, between 1663 and 1682.
Shoki Ensnaring a Demon in a Spider Web
Shoki Ensnaring a Demon in a Spider Web

Shoki Ensnaring a Demon in a Spider Web

Soga Shohaku
Japanese (1730–1781)
Edo period (1615–1868)
18th century
Two-fold screen; ink on paper
62 1/2 x 68 1/16 in. (158.7 x 172.8 cm)
AP 1987.07
Soga Shohaku was one of the Three Eccentrics of the Edo period (1615–1868). Accounts of Shohaku’s life are full of anecdotes about his bizarre behavior, and stories about him took on a legendary character.
Spring and Autumn Flowers, Fruits, and Grasses
Spring and Autumn Flowers, Fruits, and Grasses

Spring and Autumn Flowers, Fruits, and Grasses

Japan
Edo period (1615–1868)
18th century
Pair of six-fold screens; mineral pigments on gold leaf
a: 61 3/8 x 142 5/8 in. (155.9 x 362.3 cm) b: 61 3/8 x 142 7/8 in. (155.9 x 362.9 cm)
AP 1983.02 a,b
The Rinpa school represents the fullest expression of the highly decorative approach to nature painting in Japan. This pair of six-fold screens depicts seasonal plants and flowers rendered in typically bright colors on a brilliant gold background.
Heureux age! Age d'or (Happy Age! Golden Age)
Heureux age! Age d'or (Happy Age! Golden Age)

Heureux age! Age d'or (Happy Age! Golden Age)

Jean-Antoine Watteau
French (1684–1721)
18th century
c. 1716–20
Oil on panel
8 x 9 5/16 in. (20.3 x 23.6 cm) Framed: 14 3/4 x 16 1/2 x 2 3/4 in. (37.5 x 41.9 x 7 cm)
AP 1981.05
As a young man, Watteau came to Paris from Valenciennes, a Flemish town that had recently come under French rule.
Jupiter Among the Corybantes
Jupiter Among the Corybantes

Jupiter Among the Corybantes

Giuseppe Maria Crespi
Italian (1664–1747)
18th century
c. 1730
Oil on copper
26 1/4 x 26 1/4 in. (66.7 x 66.7 cm) Framed: 32 1/2 x 32 3/4 x 2 3/4 in. (82.6 x 83.2 x 7 cm)
AP 1984.17
Giuseppe Maria Crespi, the most innovative Bolognese painter of his day, was especially acclaimed for his intimate genre scenes. His fresh approach also infuses his more traditional subjects, such as Jupiter Among the Corybantes.
The Molo, Venice
The Molo, Venice

The Molo, Venice

Canaletto (Giovanni Antonio Canale)
Italian (1697–1768)
18th century
c. 1735
Oil on canvas
24 1/2 x 39 7/8 in. (62.3 x 101.3 cm) Framed: 33 3/4 x 49 1/8 x 2 3/4 in. (85.7 x 124.8 x 7 cm)
AP 1969.22
Trained by his father as a painter of theatrical scenery, Canaletto gained international renown painting scenes of his native Venice. These vivid and compelling cityscapes were much sought after by British aristocrats who traveled to Italy on the Grand Tour.
Young Student Drawing
Young Student Drawing

Young Student Drawing

Jean Siméon Chardin
French (1699–1779)
18th century
c. 1738
Oil on panel
8 1/4 x 6 3/4 in. (21 x 17.1 cm) Framed: 15 1/4 x 13 7/8 x 3 in. (38.7 x 35.2 x 7.6 cm)
AP 1982.07
Adapting the subjects of Dutch cabinet pictures and still lifes of the previous century to French taste, Chardin elevated these genres to the very highest level. His works are exceptional in their sentient depiction of everyday experience and observed reality.
Apollo and the Continents
Apollo and the Continents

Apollo and the Continents

Giovanni Battista Tiepolo
Italian (1696–1770)
18th century
c. 1739
Oil on canvas
39 x 25 in. (99.1 x 63.5 cm) Framed: 49 1/4 x 31 1/2 x 3 1/4 in. (125.1 x 80 x 8.3 cm)
AP 1985.04
This exquisitely prepared oil sketch served as Tiepolo’s model for a frescoed vault in the Palazzo Clerici in Milan, commissioned by Marquess Antonio Giorgio Clerici.
Portrait of a Woman, Possibly of the Lloyd Family
Portrait of a Woman, Possibly of the Lloyd Family

Portrait of a Woman, Possibly of the Lloyd Family

Thomas Gainsborough
British (English) (1727–1788)
18th century
c. 1750
Oil on canvas
27 3/8 x 20 7/8 in. (69.6 x 53 cm) Framed: 34 1/4 x 27 3/4 x 3 in. (87 x 70.5 x 7.6 cm)
ACF 1946.04
Along with his contemporary Joshua Reynolds, Gainsborough was one of the leading figures in the glamorous “golden age” of British portraiture.

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