On View

The Rommel-Pot Player
The Rommel-Pot Player

The Rommel-Pot Player

Frans Hals
Dutch (1582/83–1666)
17th century
c. 1618–22
Oil on canvas
41 3/4 x 31 5/8 in. (106 x 80.3 cm) Framed: 66 x 55 5/8 x 5 3/4 in. (167.6 x 141.3 x 14.6 cm)
ACF 1951.01
The smiling rommel-pot player in this painting by Frans Hals has gathered around him an audience of amused children offering him coins.
Christ and the Woman of Samaria
Christ and the Woman of Samaria

Christ and the Woman of Samaria

Guercino (Giovanni Francesco Barbieri)
Italian (1591–1666)
17th century
c. 1619-20
Oil on canvas
38 1/4 x 49 1/8 in. (97.2 x 124.8 cm) Framed: 52 3/16 x 62 5/8 in. (132.5 x 159 cm)
AP 2010.01
Guercino was one of the foremost painters of the seventeenth century.
Country Road by a House
Country Road by a House

Country Road by a House

Goffredo (Gottfried) Wals
German (c. 1590/95–1638/40)
17th century
1620s
Oil on copper
9 1/4 in. diameter (23.5 cm diameter) Framed: 13 3/4 x 13 3/4 x 1 1/2 in. (34.9 x 34.9 x 3.8 cm)
AP 1991.02
An early example of pure landscape painting, without historical, religious, or literary content, this rare copper panel records the effects of warm light bathing a country road at the close of day.
Equestrian Portrait of the Duke of Buckingham
Equestrian Portrait of the Duke of Buckingham

Equestrian Portrait of the Duke of Buckingham

Peter Paul Rubens
Flemish (1577–1640)
17th century
1625
Oil on panel
18 3/8 x 20 3/8 in. (46.6 x 51.7 cm) Framed: 27 1/2 x 29 3/8 x 2 3/8 in. (69.9 x 74.6 x 6 cm)
AP 1976.08
Peter Paul Rubens was a towering figure in the age of the Baroque, and his influence on later generations of artists was immense. His special position as both painter and diplomat brought him commissions from princely patrons, high-ranking statesmen, and noblemen.
Venus and Adonis
Venus and Adonis

Venus and Adonis

Nicolas Poussin
French (1594–1665)
17th century
c. 1628–29
Oil on canvas
38 3/4 x 53 in. (98.5 x 134.6 cm) Framed: 53 5/8 x 67 3/4 x 5 in. (136.2 x 172.1 x 12.7 cm)
AP 1985.01
Early in his career Poussin traveled to Italy and was introduced to a circle of important Roman patrons including the antiquarian Cassiano dal Pozzo. Poussin’s classicism, nurtured by his knowledge of antique literature and art, was warmed by his study of Venetian painting.
The Cheat with the Ace of Clubs
The Cheat with the Ace of Clubs

The Cheat with the Ace of Clubs

Georges de La Tour
French (1593–1652)
17th century
c. 1630-34
Oil on canvas
38 1/2 x 61 1/2 in. (97.8 x 156.2 cm) Framed: 49 x 72 x 5 in. (124.5 x 182.9 x 12.7 cm)
AP 1981.06
One of the greatest masterpieces of seventeenth-century French art, Georges de La Tour’s Cheat with the Ace of Clubs takes as its subject the danger of indulgence in wine, women, and gambling.
Portrait of Don Pedro de Barberana
Portrait of Don Pedro de Barberana

Portrait of Don Pedro de Barberana

Diego Velázquez
Spanish (1599–1660)
17th century
c. 1631–33
Oil on canvas
78 x 43 7/8 in. (198.1 x 111.4 cm) Framed: 92 1/8 x 58 x 3 1/4 in. (234 x 147.3 x 8.3 cm)
AP 1981.14
Born and trained in Seville, Velázquez moved to Madrid, where he served King Philip IV from 1623. As court painter, his main responsibility was to produce portraits of the royal family and their circle. These remain unsurpassed in their depth of conception and extraordinary painterly technique.
Saint Matthew
Saint Matthew

Saint Matthew

Jusepe de Ribera
Spanish (1591–1652)
17th century
1632
Oil on canvas
50 1/2 x 38 1/2 in. (128.2 x 97.8 cm) Framed: 61 1/2 x 49 1/2 x 3 3/4 in. (156.2 x 125.7 x 9.5 cm)
AP 1966.10
Jusepe de Ribera left his native Spain for Italy as a young man. He is recorded living in Rome by 1612, one of many talented young artists who were held in thrall by Caravaggio’s revolutionary paintings.
Steep Mountains and Silent Waters
Steep Mountains and Silent Waters

Steep Mountains and Silent Waters

Dong Qichang
Chinese (1555–1636)
Ming dynasty (1368–1644)
1632
Hanging scroll; ink on paper
40 3/8 x 11 15/16 in. (102.5 x 30.3 cm)
AP 1980.02
Dong Qichang, one of the most celebrated figures in the history of Chinese art, is equally renowned for his vpainting, calligraphy, and theoretical writings on painting.
Coast Scene with Europa and the Bull
Coast Scene with Europa and the Bull

Coast Scene with Europa and the Bull

Claude Lorrain
French (c. 1604/5–1682)
17th century
1634
Oil on canvas
67 1/4 x 78 5/8 in. (170.8 x 199.7 cm) Framed: 80 5/8 x 91 1/2 x 6 in. (204.8 x 232.4 x 15.2 cm)
AP 1981.08
Claude Lorrain, the greatest artist of the classical school of European landscape painting, raised this previously secondary genre to a new level of sophistication and prestige.
The Sacrament of Ordination (Christ Presenting the Keys to Saint Peter)
The Sacrament of Ordination (Christ Presenting the Keys to Saint Peter)

The Sacrament of Ordination (Christ Presenting the Keys to Saint Peter)

Nicolas Poussin
French (1594–1665)
17th century
c. 1636-40
Oil on canvas
37 3/4 x 47 7/8 in. (95.9 x 121.6 cm)
AP 2011.01
The Sacrament of Ordination is from one of the most celebrated groups of paintings in the entire history of art. The set depicting each of the Seven Sacraments was commissioned from Poussin by the antiquarian Cassiano dal Pozzo, secretary to Cardinal Francesco Barberini.
Peasant Interior with an Old Flute Player
Peasant Interior with an Old Flute Player

Peasant Interior with an Old Flute Player

Louis (or Antoine?) Le Nain
French (c. 1600/1603–1648)
17th century
c. 1642
Oil on canvas
21 5/16 x 24 7/16 in. (54.1 x 62.1 cm) Framed: 28 1/2 x 32 x 4 1/2 in. (72.4 x 81.3 x 11.4 cm)
AP 1984.22
The Le Nain brothers––Antoine, Louis, and Mathieu––were born in Laon and settled in the artist’s community of Saint-Germain-des-Prés, in Paris, by 1629. The brothers were founding members of the Royal Academy of Painting and Sculpture in 1648.
Interior of the Buurkerk, Utrecht
Interior of the Buurkerk, Utrecht

Interior of the Buurkerk, Utrecht

Pieter Jansz. Saenredam
Dutch (1597–1665)
17th century
1645
Oil on panel
22 7/8 x 20 in. (58.1 x 50.8 cm) Framed: 32 1/8 x 29 x 2 7/8 in. (81.6 x 73.7 x 7.3 cm)
AP 1986.09
Following a lengthy apprenticeship with a local Haarlem painter, Pieter Saenredam made a career specializing in what might be termed architectural portraiture.
The Madonna and Child with Saint Martina
The Madonna and Child with Saint Martina

The Madonna and Child with Saint Martina

Pietro da Cortona
Italian (1596–1669)
17th century
c. 1645
Oil on canvas
27 9/16 x 22 13/16 in. (70 x 58 cm) Framed: 39 x 35 1/2 x 3 1/4 in. (99.1 x 90.1 x 8.3 cm)
AP 1984.07
In this devotional painting, Saint Martina, a third-century martyr who was put to death for refusing to worship idols, gazes fervently at the Christ Child while holding the forked iron hook with which she was tortured, and accepting the palm of martyrdom.
Mucius Scaevola Confronting King Porsenna
Mucius Scaevola Confronting King Porsenna

Mucius Scaevola Confronting King Porsenna

Bernardo Cavallino
Italian (1616–c. 1656)
17th century
c. 1650
Oil on copper
24 1/8 x 35 1/8 in. (61.2 x 89.2 cm) Framed: 36 3/4 x 46 7/8 x 2 1/2 in. (93.4 x 119.1 x 6.4 cm)
AP 1981.02
One of the leading painters of Baroque Naples, Bernardo Cavallino was influenced by masters as diverse as Caravaggio and Rubens. He developed a distinctive manner marked by the dramatic play of light and action.
Rough Sea at a Jetty
Rough Sea at a Jetty

Rough Sea at a Jetty

Jacob van Ruisdael
Dutch (1628/29–1682)
17th century
1650s
Oil on canvas
38 3/4 x 51 3/4 in. (98.5 x 131.4 cm) Framed: 51 x 65 x 4 in. (129.5 x 165.1 x 10.2 cm)
AP 1989.01
Jacob van Ruisdael elevated landscape painting to the level of high art. Recording the familiar wooded hills, flat farmlands, and coastal dunes of the Netherlands, his work went beyond the topographic accuracy of earlier generations to achieve a sense of the monumental grandeur of nature.

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