On View

The Madonna and Child with a Female Saint and the Infant Saint John the Baptist
The Madonna and Child with a Female Saint and the Infant Saint John the Baptist

The Madonna and Child with a Female Saint and the Infant Saint John the Baptist

Titian (Tiziano Vecellio)
Italian (c. 1488–1576)
16th century
1530s
Oil on panel
41 1/2 x 58 3/8 in. (105.4 x 148.3 cm) Framed: 54 1/2 x 71 1/8 x 3 3/4 in. (138.4 x 180.7 x 9.5 cm)
AP 1986.07
More than any other Renaissance master, Titian was acclaimed—in his own lifetime and for centuries thereafter—for his expressive handling of paint and rich use of color. Like his teachers Giovanni Bellini and Giorgione, Titian set many of his religious subjects in a pastoral landscape.
The Supper at Emmaus
The Supper at Emmaus

The Supper at Emmaus

Jacopo Bassano (Jacopo dal Ponte)
Italian (c. 1510–1592)
16th century
c. 1538
Oil on canvas
39 5/8 x 50 5/8 in. (100.6 x 128.6 cm) Framed: 47 x 59 1/4 x 3 1/2 in. (119.4 x 150.5 x 8.9 cm)
APx 1989.03
Jacopo Bassano was one of the most famous and influential masters of the late Renaissance in Italy, admired for his luminous color and sensitively observed incidents from everyday life.
Portrait of a Franciscan Friar
Portrait of a Franciscan Friar

Portrait of a Franciscan Friar

Jacopo Bassano (Jacopo dal Ponte)
Italian (c. 1510–1592)
16th century
c. 1540–42
Oil on canvas
31 11/16 x 27 3/16 in. (80.5 x 69 cm) Framed: 48 3/4 x 44 3/4 x 3 5/8 in. (123.8 x 113.7 x 9.2 cm)
AP 1997.02
In this imposing portrait, Jacopo Bassano applies a vigorous and sharply focused naturalism to portray the distinctive features as well as the spiritual temperament and preoccupations of an unidentified Franciscan friar.
Saint John the Baptist
Saint John the Baptist

Saint John the Baptist

Italian (Florentine)
16th century
16th century
c. 1590
Gilt bronze
22 5/8 in. (57.5 cm)
AP 1999.01
Saint John the Baptist is the patron saint of Florence. This statuette may have adorned a baptismal font in one of the churches of that city. In style, it recalls the works of the fifteenth-century sculptor Michelozzo di Bartolomeo.
Saint John the Baptist
Saint John the Baptist

Saint John the Baptist

Italian (Florentine)
16th century
16th century
c. 1590
Gilt bronze
22 5/8 in. (57.5 cm)
AP 1999.01
Saint John the Baptist is the patron saint of Florence. This statuette may have adorned a baptismal font in one of the churches of that city. In style, it recalls the works of the fifteenth-century sculptor Michelozzo di Bartolomeo.
The Adoration of the Magi
The Adoration of the Magi

The Adoration of the Magi

Jacopo Bassano (Jacopo dal Ponte)
Italian (c. 1510–1592)
16th century
after 1555
Oil on jasper
7 1/4 x 5 1/2 in. (18.4 x 14 cm) Framed: 12 3/4 x 11 x 1 5/8 in. (32.4 x 27.9 x 4.1 cm)
AG 1990.01
The subject of the Adoration of the Magi, along with the Adoration of the Shepherds, occupies pride of place in Jacopo Bassano’s repertory.
Portrait of Doge Pietro Loredan
Portrait of Doge Pietro Loredan

Portrait of Doge Pietro Loredan

Tintoretto (Jacopo Robusti)
Italian (1518–1594)
16th century
1567–70
Oil on canvas
49 5/8 x 41 15/16 in. (126 x 106.6 cm) Framed: 57 1/2 x 48 3/4 x 4 1/2 in. (146.1 x 123.8 x 11.4 cm)
AP 1986.08
A prolific master of religious and historical works, as well as portraits, Tintoretto developed a rapid, often impetuous manner of painting that was both expressive and expedient.
Wine Flask
Wine Flask

Wine Flask

Japan
Momoyama period (1573–1615)
late 16th or early 17th century
Wood with black and red lacquer (Negoro ware)
11 3/4 x 8 3/4 in. (29.9 x 22.3 cm)
AP 1981.16
Negoro lacquerwares constitute a special group of simple food-serving utensils that are distinctive for their solid, cinnabar red finish and austere, functional forms.
The Butcher's Shop
The Butcher's Shop

The Butcher's Shop

Annibale Carracci
Italian (1560–1609)
16th century
early 1580s
Oil on canvas
23 1/2 x 27 15/16 in. (59.7 x 71 cm) Framed: 30 1/4 x 34 7/8 x 2 3/8 in. (76.8 x 88.6 x 6 cm)
AP 1980.08
Around the time that he painted The Butcher’s Shop, in about 1582, Annibale Carracci joined his older cousin Ludovico and his brother Agostino to found the Carracci Academy in Bologna.
The Cardsharps
The Cardsharps

The Cardsharps

Caravaggio (Michelangelo Merisi)
Italian (1571–1610)
16th century
c. 1595
Oil on canvas
37 1/16 x 51 9/16 in. (94.2 x 130.9 cm)
AP 1987.06
Caravaggio was one of the pivotal figures in the history of Western art. In his short lifetime, he created a theatrical style that was as shocking to some as it was new, inspiring others to probe their subject matter for the drama of psychological relationships.
An Exiled Emperor on Okinoshima
An Exiled Emperor on Okinoshima

An Exiled Emperor on Okinoshima

Japan
Momoyama period (1573–1615)
c. 1600
Six-fold screen; ink, gold, silver, and pigments on paper
58 1/4 x 137 in. (148 x 348 cm)
AP 1971.11
In this melancholy scene, the large sea of rough, billowing waves, the nobleman seated in the hut with only his books and koto as companions, and the dusky tones of ink and silver and gold, suggest the solitude of a distant island.
Abraham Leading Isaac to Sacrifice
Abraham Leading Isaac to Sacrifice

Abraham Leading Isaac to Sacrifice

Domenichino (Domenico Zampieri)
Italian (1581–1641)
17th century
1602
Oil on copper
12 13/16 x 17 7/16 in. (32.5 x 44.3 cm) Framed: 19 3/4 x 24 1/2 x 2 3/4 in. (50.2 x 62.2 x 7 cm)
AP 1982.03
Domenichino, who is renowned for his large-scale frescoes, history paintings, and altarpieces, became Italy’s leading classical painter in the first half of the seventeenth century.
The Flight into Egypt
The Flight into Egypt

The Flight into Egypt

Adam Elsheimer
German (1578–1610)
17th century
c. 1605
Oil on silvered copper
3 7/8 x 3 in. (9.8 x 7.6 cm) Framed: 4 x 3 1/2 x 1 in. (10.2 x 8.9 x 2.5 cm)
AP 1994.01
Elsheimer’s directness of vision placed him, along with Caravaggio and Annibale Carracci, in the vanguard of reforming artists working in Rome in the first decade of the seventeenth century. A pioneer in the development of naturalistic landscape, his influence extended to Claude and Rembrandt.
Portrait of Dr. Francisco de Pisa
Portrait of Dr. Francisco de Pisa

Portrait of Dr. Francisco de Pisa

El Greco (Domenikos Theotokopoulos)
Greek (active in Italy and Spain) (1541–1614)
16th century
c. 1610–14
Oil on canvas
42 1/8 x 35 7/16 in. (107 x 90 cm) Framed: 58 7/8 x 52 x 3 1/4 in. (149.5 x 132.1 x 8.3 cm)
AP 1977.05
The painter known as El Greco (“the Greek”) was born Domenikos Theotokopoulos in Crete, then a territory of the Venetian Republic, where he trained as an icon painter. Talented and ambitious, he left Crete around 1568 for Venice, and later Rome.
The Martyrdom of Saint Ursula and the Eleven Thousand Maidens
The Martyrdom of Saint Ursula and the Eleven Thousand Maidens

The Martyrdom of Saint Ursula and the Eleven Thousand Maidens

Peter Paul Rubens
Flemish (1577–1640)
17th century
c. 1615–20
Oil on panel
25 3/8 x 19 1/2 in. (64.5 x 49.5 cm) Framed: 36 1/2 x 31 x 4 in. (92.7 x 78.7 x 10.2 cm)
AP 1986.01
Peter Paul Rubens confessed that “my talent is such that no undertaking in size, or how varied in subject, has ever exceeded my confidence and courage.” His monumental works exalting the Church and royal families of Europe are among the grandest accomplishments of the seventeenth century.
Vase of Flowers with a Curtain
Vase of Flowers with a Curtain

Vase of Flowers with a Curtain

Jacques de Gheyn II
Dutch (1565–1629)
17th century
1615
Oil on panel
43 1/4 x 29 5/16 in. (109.8 x 74.5 cm) Framed: 51 3/4 x 37 7/8 x 2 3/4 in. (131.5 x 96.2 x 7 cm)
AP 2008.01
Jacques de Gheyn II was one of the founders of the tradition of flower painting in the Netherlands. This exceptionally large panel is probably “the large vase of flowers surmounted by lilies” owned by De Gheyn’s son.

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