Permanent Collection

The Raising of Lazarus
The Raising of Lazarus

The Raising of Lazarus

Duccio di Buoninsegna
Italian (active 1278–1318)
14th century
1310–11
Tempera and gold on panel
17 1/8 x 18 1/4 in. (43.5 x 46.4 cm) Framed: 20 7/8 x 22 1/8 x 1 7/8 in. (53 x 56.2 x 4.8 cm)
APx 1975.01
Duccio was the preeminent Sienese painter in the early years of the fourteenth century. He infused the prevailing Byzantine style with a more naturalistic, narrative mode.
Returning from a Visit
Returning from a Visit

Returning from a Visit

Zhu Derun
Chinese (1294–1365)
Yuan dynasty (1279–1368)
c. mid-14th century
Handscroll; ink on paper
11 1/8 x 46 15/16 in. (28.2 x 119.3 cm)
AP 1972.06
The Yuan dynasty (1279–1368), during which time the Mongols dominated China, was one of great distress for the Chinese. For the first time in their history, the entire country was under foreign control.
Vimalakirti Scroll Used for a Yuima-e Service at Tônomine Temple
Vimalakirti Scroll Used for a Yuima-e Service at Tônomine Temple

Vimalakirti Scroll Used for a Yuima-e Service at Tônomine Temple

Japan
Nambokucho period (1336–1392)
c. 1350
Hanging scroll; color and gold on silk
35 1/4 x 9 1/2 in. (89.5 x 24.1 cm)
AP 1982.02
Vimalakirti Scroll Used for a Yuima-e Service at T"nomine Temple has been retitled to reflect new information that came to light in the course of recent restoration and cleaning carried out in Japan.
Bowl with Secret Decoration
Bowl with Secret Decoration

Bowl with Secret Decoration

China
Ming dynasty (1368–1644)
early 15th century
Porcelain with transparent glaze (White ware)
H. 4 in (10.1 cm); Diam. 8 1/4 in. (21 cm)
APx 1971.20
In the Ming period, white ware reached a peak of refinement, achieving a thin, fine-grained, pure white body and a glaze that was transparent and glossy, without any tinge of color.
Dish with Melon Design
Dish with Melon Design

Dish with Melon Design

China
Ming dynasty (1368–1644)
early 15th century
Blue-and-white ware, porcelain, cobalt oxide pigment
H. 3 1/16 in. (7.7 cm); Diam. 17 1/16 in. (43.4 cm)
AP 1970.03
Porcelains of the Ming dynasty, namely the blue-and-white wares produced during the fifteenth century, begin a new chapter in the history of Chinese ceramic art.
Flat-Sided Flask
Flat-Sided Flask

Flat-Sided Flask

China, Jiangxi province, Jingdezhen
Ming dynasty (1368–1644)
early 15th century
Porcelain with cobalt oxide pigment under transparent glaze
13 1/8 x 7 11/16 x 5 1/4 in. (33.3 x 19.5 x 13.3 cm)
AP 1968.11
This elegant porcelain of unusual form is a fine example of the technical and decorative excellence of Ming dynasty blue-and-white wares. The flat-sided flask is known in bronze vessels dating to the sixth century B.C.
Parvati
Parvati

Parvati

India
Vijayanagar period (1336–1565)
15th century
Bronze
35 11/16 x 10 15/16 x 9 5/8 in. (90.7 x 27.8 x 24.5 cm)
AP 1969.13
In the Hindu religion, Parvati, the consort of Shiva, is the archetypal mother goddess and fertility image. She benevolently mediates between the worshiper and the divine. This graceful sculpture represents the divinity as an ideal beauty.
Portrait of Daruma
Portrait of Daruma

Portrait of Daruma

Attributed to Soga Dasoku (calligraphy attr. to Ikkyu Sojun)
Japanese (Dasoku active c. 1452–1483; Sojun, 1394–1481)
Muromachi period (1392–1573)
15th century
Hanging scroll; ink on paper
36 9/16 x 13 9/16 in. (92.8 x 34.5 cm)
AP 1970.07
Daruma, known also by the Sanskrit name Bodhidharma, is the legendary first patriarch of Zen Buddhism. He is said to have been a south Indian prince who introduced the meditative sect of Buddhism to China in the sixth century.
Round Dish with Pommel Scrolls
Round Dish with Pommel Scrolls

Round Dish with Pommel Scrolls

China
Ming dynasty (1368–1644)
15th–16th century
Carved black lacquer with red layers (tixi)
13 7/8 in. diameter (35.2 cm diameter)
AP 1993.03
Carved, “marbled” lacquer (tixi), a variety unique to China, was made from at least the Song dynasty (A.D. 960–1279) onwards.
Apothecary Jar with Oak Leaf and Fish
Apothecary Jar with Oak Leaf and Fish

Apothecary Jar with Oak Leaf and Fish

Italian
15th century
c. 1425–50
Tin-glazed earthenware
7 3/4 x 8 x 7 in. (19.7 x 20.3 x 17.8 cm)
AP 1979.06
This type of earthenware has a tin-glazed, opaque white surface that provides an excellent ground for pictorial decoration.
Apothecary Jar with Oak Leaf and Lily Motifs
Apothecary Jar with Oak Leaf and Lily Motifs

Apothecary Jar with Oak Leaf and Lily Motifs

Italian
15th century
c. 1425–50
Tin-glazed earthenware
9 x 9 x 8 in. (22.8 x 22.8 x 20.3 cm)
AP 1979.07
This type of earthenware has a tin-glazed, opaque white surface that provides an excellent ground for pictorial decoration.
Lotus Bowl
Lotus Bowl

Lotus Bowl

China, Jiangxi province, Jingdezhen
Ming dynasty (1368–1644)
Xuande period and reign mark (1426–35)
Porcelain with cobalt oxide pigment under transparent glaze
H. 4 3/16 in. (10.6 cm); Diam. 8 3/16 in. (20.8 cm)
AP 1970.14
Porcelain decorated with underglaze cobalt was much favored during the fifteenth century, and the color and intensity of the blue are typical of the period. This well-potted bowl is a very fine example of the standard type made during the Yongle (1403–24) and Xuande (1426–35) periods.
The Apostle Saint James the Greater Freeing the Magician Hermogenes
The Apostle Saint James the Greater Freeing the Magician Hermogenes

The Apostle Saint James the Greater Freeing the Magician Hermogenes

Fra Angelico (Fra Giovanni da Fiesole)
Italian (c. 1395/1400–1455)
15th century
c. 1426–29
Tempera and gold on panel
10 9/16 x 9 3/8 in. (26.8 x 23.8 cm) Framed: 18 5/8 x 17 7/16 in. (47.3 x 44.3 cm)
AP 1986.03
Born Guido di Piero, the artist known as Fra Angelico acquired his nickname not long after his death, when he was referred to as “Angelicus” by a fellow Dominican monk for his pious life and artworks.
Four Mandalas of the Vajravali Series
Four Mandalas of the Vajravali Series

Four Mandalas of the Vajravali Series

Central Tibet, Tsang (Ngor Monastery), Sakya order
c. 1429–56
Thangka, gouache on cotton
35 x 29 in. (88.9 x 73.7 cm)
AP 2000.01
Most Tibetan art was created in connection with the complex rituals and meditational practices of Vajrayana Buddhism (the Diamond Path), in which mandalas (cosmic diagrams) are employed as visual representations of the sacred realms inhabited by a host of deities.
Albarello with Scrolling Gothic Leaf Motif
Albarello with Scrolling Gothic Leaf Motif

Albarello with Scrolling Gothic Leaf Motif

Italian
15th century
c. 1450–1500
Tin-glazed earthenware
12 5/8 x 5 3/8 in. (32 x 13.6 cm)
AP 1979.10
By the late fifteenth century, polychrome wares had replaced the more limited palette of Severe-style majolica, adding new shades of gold and green. Plant forms predominated, particularly an elegantly scrolled “Gothic-floral” leaf.
Apothecary Jar with Gothic Leaf Motif
Apothecary Jar with Gothic Leaf Motif

Apothecary Jar with Gothic Leaf Motif

Italian
15th century
c. 1450–75
Tin-glazed earthenware
8 1/8 x 7 1/2 x 5 1/2 in. (20.6 x 19 x 14 cm)
AP 1979.08
By the late fifteenth century, polychrome wares had replaced the more limited palette of Severe-style majolica, adding new shades of gold and green.

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