Permanent Collection

Standing Ancestor Figure
Standing Ancestor Figure

Standing Ancestor Figure

New Zealand, Maori culture, possibly Rongowhakaata people
Te Huringa period I (1800–1900)
c. 1800–1840
Wood
17 5/8 x 5 3/16 x 4 7/16 in. (44.8 x 13.2 x 11.2 cm)
AP 1989.04
The Maori tribes of New Zealand excelled in the decoration of their timber buildings with elaborate relief carvings and sculptures.
Warrior Ancestor Figure
Warrior Ancestor Figure

Warrior Ancestor Figure

Africa, Democratic Republic of the Congo
area of Lualaba, Luika, and Lukuga rivers, Hemba people
19th century
Wood
33 1/8 x 10 1/4 x 9 1/8 in. (84.1 x 26 x 23.2 cm)
AP 1979.03
This dignified figure of a Hemba warrior, with his upright posture and lofty, outward gaze, would have served as the focus for the veneration of its ancestors among one of the Hemba peoples of the central and eastern Congo.
The Geography Lesson (Portrait of Monsieur Gaudry and His Daughter)
The Geography Lesson (Portrait of Monsieur Gaudry and His Daughter)

The Geography Lesson (Portrait of Monsieur Gaudry and His Daughter)

Louis-Léopold Boilly
French (1761–1845)
19th century
1812
Oil on canvas
29 x 23 1/4 in. (73.6 x 59 cm)
AP 1990.01
Arriving in Paris in 1785, Louis-Léopold Boilly was witness to the collapse of the French monarchy, the struggle for modern republicanism, and the rise and fall of Napoleon’s empire.
Ideal Head of a Woman
Ideal Head of a Woman

Ideal Head of a Woman

Antonio Canova
Italian (1757–1822)
19th century
c. 1817
Marble
22 3/16 x 9 7/16 x 9 3/4 in. (56.3 x 24 x 24.7 cm)
AP 1981.13
The Venetian artist Antonio Canova was the leading sculptor of the Neoclassical movement. Traveling to Rome in late 1779, his virtuosity and stylistic innovation soon won him papal commissions and acclaim.
Portrait Study of a Youth
Portrait Study of a Youth

Portrait Study of a Youth

Théodore Géricault
French (1791–1824)
19th century
c. 1818–20
Oil on canvas
18 1/2 x 15 in. (47 x 38.1 cm) Framed: 26 3/8 x 23 1/8 x 3 1/2 in. (67 x 58.7 x 8.9 cm)
AP 1969.07
In the Salon of 1819, Géricault showed his celebrated Raft of the Medusa.
The Anger of Achilles
The Anger of Achilles

The Anger of Achilles

Jacques-Louis David
French (1748–1825)
19th century
1819
Oil on canvas
41 7/16 x 57 1/16 in. (105.3 x 145 cm) Framed: 52 1/4 x 68 x 4 in. (132.7 x 172.7 x 10.2 cm)
AP 1980.07
Jacques-Louis David, the leading Neoclassical painter in Europe during the French Revolution and under Napoleon, took exile in Brussels after the Battle of Waterloo in 1815.
Portrait of Frederick H. Hemming
Portrait of Frederick H. Hemming

Portrait of Frederick H. Hemming

Thomas Lawrence
British (English) (1769–1830)
19th century
c. 1824–25
Oil on canvas
30 x 25 3/8 in. (76.2 x 64.5 cm) Framed: 41 x 36 x 5 in. (104.1 x 91.4 x 12.7 cm)
ACF 1963.01
After the death of Sir Joshua Reynolds in 1792, Thomas Lawrence was appointed Painter in Ordinary to King George III. Drawing inspiration from Reynolds’s style, with its allusions to the old masters, Lawrence dominated society portraiture in England.
Portrait of Mary Anne Bloxam (later Mrs. Frederick H. Hemming)
Portrait of Mary Anne Bloxam (later Mrs. Frederick H. Hemming)

Portrait of Mary Anne Bloxam (later Mrs. Frederick H. Hemming)

Thomas Lawrence
British (English) (1769–1830)
19th century
c. 1824–25
Oil on panel
30 x 24 1/2 in. (76.2 x 62.2 cm) Framed: 41 x 36 x 5 in. (104.1 x 91.4 x 12.7 cm)
ACF 1963.02
After the death of Sir Joshua Reynolds in 1792, Thomas Lawrence was appointed Painter in Ordinary to King George III. Drawing inspiration from Reynolds’s style, with its allusions to the old masters, Lawrence dominated society portraiture in England.
Chibinda Ilunga
Chibinda Ilunga

Chibinda Ilunga

Africa, northeastern Angola, Chokwe people
mid-19th century
Wood, hair, and hide
16 x 6 x 6 in. (40.6 x 15.2 x 15.2 cm)
AP 1978.05
This imposing figure represents the hero Chibinda Ilunga, royal ancestor of the Chokwe people. According to legend, Ilunga, the son of a great Luba chief, wooed Lweji, a Lunda chieftainess. He introduced into that tribe the concept of divine kingship and also taught the Lunda the art of hunting.
The Grand Canal, Venice, Looking Toward the Rialto
The Grand Canal, Venice, Looking Toward the Rialto

The Grand Canal, Venice, Looking Toward the Rialto

Richard Parkes Bonington
British (English) (1802–1828)
19th century
1826
Oil on millboard
13 7/8 x 17 7/8 in. (35.2 x 45.4 cm) Framed: 21 3/8 x 25 3/8 x 2 3/4 in. (54.3 x 64.5 x 7 cm)
AP 2009.02
Bonington was one of the most supremely gifted landscape painters Britain has produced, comparable in artistic stature to J. M. W. Turner and John Constable but less familiar because he died young and left a comparatively small body of works, most on a modest scale.
View of Olevano
View of Olevano

View of Olevano

Jean-Baptiste-Camille Corot
French (1796–1875)
19th century
1827
Oil on paper affixed to canvas
10 7/8 x 17 7/8 in. (27.6 x 45.4 cm) Framed: 16 3/4 x 23 5/8 x 2 1/2 in. (42.6 x 60 x 6.4 cm)
APg 1980.11
As the final stage in his artistic education, Corot went to Italy in the fall of 1825.
Mountain Peak with Drifting Clouds
Mountain Peak with Drifting Clouds

Mountain Peak with Drifting Clouds

Caspar David Friedrich
German (1774–1840)
19th century
c. 1835
Oil on canvas
9 13/16 x 12 1/16 in. (25 x 30.6 cm) Framed: 15 x 17 1/2 x 3 in. (38.1 x 44.5 x 7.6 cm)
AP 1984.08
Friedrich is among the greatest of those Romantic artists in whose work spiritual yearning is the dominant theme.
Glaucus and Scylla
Glaucus and Scylla

Glaucus and Scylla

Joseph Mallord William Turner
British (English) (1775–1851)
19th century
1841
Oil on panel
30 13/16 x 30 1/2 in. (78.3 x 77.5 cm) Framed: 37 5/8 x 38 x 4 3/4 in. (95.6 x 96.5 x 12.1 cm)
AP 1966.11
J. M. W. Turner dominated British landscape painting throughout the first half of the nineteenth century, when landscape gained widespread recognition as a major category of modern art.
Portrait of H. J. van Wisselingh
Portrait of H. J. van Wisselingh

Portrait of H. J. van Wisselingh

Gustave Courbet
French (1819–1877)
19th century
1846
Oil on panel
22 1/2 x 18 1/8 in. (57.2 x 46 cm) Framed: 31 3/8 x 27 1/2 x 4 in. (79.7 x 69.9 x 10.2 cm)
AP 1984.04
Courbet was born at Ornans, near the Swiss border of France. After he went to Paris in 1840, he evolved a vigorous Realism with profound and influential philosophical and political implications. Already in the Salon of 1846, Courbet’s work was noticed by the Dutch art dealer H. J.
Selim and Zuleika
Selim and Zuleika

Selim and Zuleika

Eugène Delacroix
French (1798–1863)
19th century
1857
Oil on canvas
18 3/4 x 15 3/4 in. (47.6 x 40 cm) Framed: 25 1/2 x 22 5/8 x 3 in. (64.8 x 57.5 x 7.6 cm)
AP 1986.04
Like many of his contemporaries, Delacroix took inspiration from the best-selling Romantic poetry of Lord Byron. This painting is the last and most developed of the four canvases that the artist devoted to “The Bride of Abydos,” first published in 1813 and available in French translation by 1821.
Portrait of May Sartoris
Portrait of May Sartoris

Portrait of May Sartoris

Frederic Leighton
British (English) (1830–1896)
19th century
c. 1860
Oil on canvas
59 7/8 x 35 1/2 in. (152.1 x 90.2 cm) Framed: 71 1/2 x 48 x 5 3/4 in. (181.6 x 121.9 x 14.6 cm)
ACF 1964.03
One of the leading artists of the tendency in British art known as the Aesthetic Movement, Frederic Leighton trained in the continental academic tradition in Germany, Italy, and France and insisted upon beauty and form as the artist’s primary concerns.

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