Permanent Collection

The Butcher's Shop is Caracci's forthright portrayal of the tradesmen, with their sober, ceremonious demeanor and clean white aprons.
The Butcher's Shop
The Butcher's Shop
The Butcher's Shop is Caracci's forthright portrayal of the tradesmen, with their sober, ceremonious demeanor and clean white aprons.

The Butcher's Shop

Annibale Carracci
Italian (1560–1609)
16th century
early 1580s
Oil on canvas
23 1/2 x 27 15/16 in. (59.7 x 71 cm) Framed: 30 1/4 x 34 7/8 x 2 3/8 in. (76.8 x 88.6 x 6 cm)
AP 1980.08
Around the time that he painted The Butcher’s Shop, in about 1582, Annibale Carracci joined his older cousin Ludovico and his brother Agostino to found the Carracci Academy in Bologna.
In The Cardsharps, the players are engaged in a game of primero, a forerunner of poker. Engrossed in his cards at left is the dupe, unaware that the older cardsharp signals his accomplice with a raised, gloved hand (the fingertips exposed, better to feel marked cards). At right, the young cheat looks expectantly toward the boy and reaches behind his back to pull a hidden card from his breeches.
The Cardsharps
The Cardsharps
In The Cardsharps, the players are engaged in a game of primero, a forerunner of poker. Engrossed in his cards at left is the dupe, unaware that the older cardsharp signals his accomplice with a raised, gloved hand (the fingertips exposed, better to feel marked cards). At right, the young cheat looks expectantly toward the boy and reaches behind his back to pull a hidden card from his breeches.

The Cardsharps

Caravaggio (Michelangelo Merisi)
Italian (1571–1610)
16th century
c. 1595
Oil on canvas
37 1/16 x 51 9/16 in. (94.2 x 130.9 cm)
AP 1987.06
Caravaggio was one of the pivotal figures in the history of Western art. In his short lifetime, he created a theatrical style that was as shocking to some as it was new, inspiring others to probe their subject matter for the drama of psychological relationships.
Detail of right two panels with exiled emperor in a hut
An Exiled Emperor on Okinoshima
An Exiled Emperor on Okinoshima
Detail of right two panels with exiled emperor in a hut

An Exiled Emperor on Okinoshima

Japan
Momoyama period (1573–1615)
c. 1600
Six-fold screen; ink, gold, silver, and pigments on paper
58 1/4 x 137 in. (148 x 348 cm)
AP 1971.11
In this melancholy scene, the large sea of rough, billowing waves, the nobleman seated in the hut with only his books and koto as companions, and the dusky tones of ink and silver and gold, suggest the solitude of a distant island.
Storage Jar is a large stoneware vessel with wide round shoulders, light sandy texture, and eye-catching natural green glaze flowing from the mouth over the orange body of the jar.
Storage Jar
Storage Jar
Storage Jar is a large stoneware vessel with wide round shoulders, light sandy texture, and eye-catching natural green glaze flowing from the mouth over the orange body of the jar.

Storage Jar

Japan
Momoyama period (1573–1615)
c. 1600
Stoneware with wood-ash glaze (Shigaraki ware)
14 x 11 5/8 in. (35.6 x 29.5 cm)
AP 1969.08
The Shigaraki kilns in Shiga prefecture have been an active pottery center since the Kamakura period (1185–1333) and continue to produce pottery up to the present day.
Temples in Eastern Kyoto is a six-fold screen which shows shows a portion of Higashiyama, the eastern hills that border the southern part of Kyoto. The main focus of the painting is the structure in the center, which appears to be the shrine-temple complex called Hokoku Jinja.
Temples in Eastern Kyoto
Temples in Eastern Kyoto
Temples in Eastern Kyoto is a six-fold screen which shows shows a portion of Higashiyama, the eastern hills that border the southern part of Kyoto. The main focus of the painting is the structure in the center, which appears to be the shrine-temple complex called Hokoku Jinja.

Temples in Eastern Kyoto

Japan
Momoyama period (1573–1615), Keicho era (1596–1615)
c. 1600
Six-fold screen; mineral pigments on gold
35 1/2 x 110 1/16 x 13/16 in. (90.2 x 279.5 x 2 cm)
AP 1986.10
In the Momoyama period, Kyoto emerged as a large urban center with a newly wealthy merchant class that developed a taste for paintings reflecting their vibrant, affluent lifestyle.
Baluster Jar is a porcelain jar with wide shoulders and a wide mouth. It is decorated with red, green, and yellow enamels in Chinese-style designs with underglaze blue
Baluster Jar
Baluster Jar
Baluster Jar is a porcelain jar with wide shoulders and a wide mouth. It is decorated with red, green, and yellow enamels in Chinese-style designs with underglaze blue

Baluster Jar

Japan
Edo period (1615–1868)
17th century
Porcelain with overglaze colored enamels (Arita ware)
11 x 9 1/2 in. (28 x 24.1 cm)
AP 1972.12
Japanese porcelains were first developed in the early seventeenth century, near the town of Arita in northern Kyushu, by Korean immigrant potters who discovered porcelain clay in that area. The earliest wares were decorated with Chinese-style designs painted in underglaze blue.
Jar with Floral Design is a porcelain, colored enamel, and under glazed vessel decorated in upright leaf pattern on the rim, floral scrolls on the shoulder, and bordered panels on the body that enclose clumps of flowering plants.
Jar with Floral Design
Jar with Floral Design
Jar with Floral Design is a porcelain, colored enamel, and under glazed vessel decorated in upright leaf pattern on the rim, floral scrolls on the shoulder, and bordered panels on the body that enclose clumps of flowering plants.

Jar with Floral Design

Japan
Edo period (1615–1868)
17th century
Porcelain with underglaze blue and overglaze colored enamels (Arita ware, Kakiemon type)
19 1/4 x 13 7/8 in. (48.9 x 35.3 cm)
AP 1968.10
The rapid development and diversification of the Japanese porcelain industry in the seventeenth century was the result of many technically skilled potters being brought to Japan from Korea.
Large Jar is a stoneware vessel with sandy texture, robust shape, and rich reddish brown surface highlighted with yellow ash glaze
Large Jar
Large Jar
Large Jar is a stoneware vessel with sandy texture, robust shape, and rich reddish brown surface highlighted with yellow ash glaze

Large Jar

Japan
Edo period (1615–1868)
17th or 18th century
Stoneware with wood-ash glaze (Shigaraki ware)
24 3/16 x 19 5/16 in. (61.5 x 49 cm)
AG 1980.03
The Shigaraki kilns in Shiga prefecture have been an active pottery center since the eighth century.
Mukozuke is a small, deep bowl used for serving side dishes in the traditional kaiseki meal. The rim was shaped by hand to form petals and it is also decorate with a  freely painted design of leafy grass and curled vines.
Mukozuke
Mukozuke
Mukozuke is a small, deep bowl used for serving side dishes in the traditional kaiseki meal. The rim was shaped by hand to form petals and it is also decorate with a  freely painted design of leafy grass and curled vines.

Mukozuke

Japan
Edo period (1615–1868)
early 17th century
Stoneware with gray glaze and iron oxide (Karatsu ware)
H. 3 1/2 in. (8.9 cm); Diam. 4 1/16 in. (10.3 cm)
AP 1971.12
The city of Karatsu on the island of Kyushu flourished as a ceramic-producing center by the end of the sixteenth century. The main products of the Karatsu kilns, which derived from Korean prototypes, were utensils for the tea ceremony.
Octagonal Bowl is a Japanese porcelain bowl with delicate Chinese floral designs painted in underglaze blue and colored enamel.
Octagonal Bowl
Octagonal Bowl
Octagonal Bowl is a Japanese porcelain bowl with delicate Chinese floral designs painted in underglaze blue and colored enamel.

Octagonal Bowl

Japan
Edo period (1615–1868)
17th century
Porcelain with underglaze blue and overglaze colored enamels (Arita ware)
4 1/8 x 8 1/4 in. (10.4 x 21 cm)
AP 1968.09
The first Japanese porcelains were developed in the early seventeenth century after the techniques were introduced into Japan from Korea.
Portable Cabinet with Gourd Design is a portable cabinet with three drawers and a motif of gourds, leaves, and scrolling vines.
Portable Cabinet with Gourd Design
Portable Cabinet with Gourd Design
Portable Cabinet with Gourd Design is a portable cabinet with three drawers and a motif of gourds, leaves, and scrolling vines.

Portable Cabinet with Gourd Design

Japan
Edo period (1615–1868)
early 17th century
Black lacquer with designs in brown lacquer, gold, and silver on wood
12 1/8 x 10 1/8 x 15 7/8 in. (30.8 x 25.7 x 40.4 cm)
AP 1976.02
The decorative potential of lacquer (the sap of the lacquer tree Rhus vernicifera) has been explored in Japan since the sixth century in a variety of styles and techniques.
Sliding Door Panel with Design of Imperial Eagle, Plum Tree, and Camellia is constructed from wood and decorated with a painted design of a majestic white eagle perched on a blossoming plum tree
Sliding Door Panel with Design of Imperial Eagle, Plum Tree, and Camellia
Sliding Door Panel with Design of Imperial Eagle, Plum Tree, and Camellia
Sliding Door Panel with Design of Imperial Eagle, Plum Tree, and Camellia is constructed from wood and decorated with a painted design of a majestic white eagle perched on a blossoming plum tree

Sliding Door Panel with Design of Imperial Eagle, Plum Tree, and Camellia

Japan
Momoyama period (1573–1615)
First half of 17th century
Cryptomeria wood, gesso with pigments
62 3/4 x 32 1/8 x 1 1/8 in. (159.4 x 81.6 x 2.9 cm)
AP 1995.05
This sliding door panel, adorned with a majestic white eagle perched on a blossoming plum tree, is the right half of a two-panel sugito (cedar door). The motif of the eagle, like the hawk, was most likely a symbol of the samurai (warrior) class in Japan.
Water Jar (Mizusashi) with Cover is a stoneware jar with a wood-ash glaze with a sturdy shape and warm, natural finish. There are random spots of yellow glaze on this vessel.
Water Jar (Mizusashi) with Cover
Water Jar (Mizusashi) with Cover
Water Jar (Mizusashi) with Cover is a stoneware jar with a wood-ash glaze with a sturdy shape and warm, natural finish. There are random spots of yellow glaze on this vessel.

Water Jar (Mizusashi) with Cover

Japan
Momoyama period (1573–1615)
early 17th century
Stoneware with wood-ash glaze (Bizen ware)
H. 6 15/16 in (17.7 cm); Diam. 8 in. (20.3 cm)
AP 1972.13 a,b
The Bizen kilns near the town of Imbe in Okayama prefecture are known to have been active since the thirteenth century.
Wheat, Poppies, and Bamboo is a six-fold silk screen. Boldly patterned with bright mineral colors on a gold ground, it depicts young wheat, blossoming poppies, and bamboo, all of the summer season.
Wheat, Poppies, and Bamboo
Wheat, Poppies, and Bamboo
Wheat, Poppies, and Bamboo is a six-fold silk screen. Boldly patterned with bright mineral colors on a gold ground, it depicts young wheat, blossoming poppies, and bamboo, all of the summer season.

Wheat, Poppies, and Bamboo

Kano Shigenobu
Japanese (active c. 1620–1630)
Edo period (1615–1868)
early 17th century
Six-fold screen; ink, colors, and gofun on gold leaf paper
59 13/16 x 140 9/16 in. (152 x 357 cm)
AP 1969.10
This brilliant screen depicts young wheat, blossoming poppies, and bamboo, all of the summer season. Boldly patterned with bright mineral colors on a gold ground, it exemplifies the exuberant decorative style of the Kano school.
Abraham Leading Isaac to Sacrifice is an oil painting on copper which depicts Abraham leading his beloved son Isaac to be sacrificed at God’s command in a naturalistic landscape.
Abraham Leading Isaac to Sacrifice
Abraham Leading Isaac to Sacrifice
Abraham Leading Isaac to Sacrifice is an oil painting on copper which depicts Abraham leading his beloved son Isaac to be sacrificed at God’s command in a naturalistic landscape.

Abraham Leading Isaac to Sacrifice

Domenichino (Domenico Zampieri)
Italian (1581–1641)
17th century
1602
Oil on copper
12 13/16 x 17 7/16 in. (32.5 x 44.3 cm) Framed: 19 3/4 x 24 1/2 x 2 3/4 in. (50.2 x 62.2 x 7 cm)
AP 1982.03
Domenichino, who is renowned for his large-scale frescoes, history paintings, and altarpieces, became Italy’s leading classical painter in the first half of the seventeenth century.
The Flight into Egypt portrays the Holy Family taking an arduous path through rocky terrain in a naturalistic landscape.
The Flight into Egypt
The Flight into Egypt
The Flight into Egypt portrays the Holy Family taking an arduous path through rocky terrain in a naturalistic landscape.

The Flight into Egypt

Adam Elsheimer
German (1578–1610)
17th century
c. 1605
Oil on silvered copper
3 7/8 x 3 in. (9.8 x 7.6 cm) Framed: 4 x 3 1/2 x 1 in. (10.2 x 8.9 x 2.5 cm)
AP 1994.01
Elsheimer’s directness of vision placed him, along with Caravaggio and Annibale Carracci, in the vanguard of reforming artists working in Rome in the first decade of the seventeenth century. A pioneer in the development of naturalistic landscape, his influence extended to Claude and Rembrandt.

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