The Collection of Nancy Lee and Perry R. Bass isa selection of paintings and sculptures amassed by two pillars of Texas philanthropy and business. From this collection of Impressionist to post–World War II art, 37 works of painting and sculpture will be on view, including an impressive pair of paintings by Van Gogh—Street in Saintes-Maries-de-la-Mer, 1888, and Enclosed Field with Plowman, 1889—and a major still life by Picasso, Fruit Dish, Bottle, and Guitar, 1923.
On view in the Renzo Piano Pavilion and Louis Kahn Building
The Kimbell’s permanent collection is small in size, comprised of fewer than 350 works of art, but is distinguished by an extraordinary level of artistic quality and importance. The idea of building a choice collection of representative masterpieces was established by the Board of Directors of the Kimbell Art Foundation in consultation with Museum’s first director, Richard F. (Ric) Brown, in a Policy Statement of June 1, 1966:
The 55 paintings in the exhibition span a period of more than 400 years (1490–1932) and include some of the greatest holdings of the Scottish National Gallery, Scottish National Portrait Gallery and Scottish National Gallery of Modern Art—the three institutions that comprise the National Galleries of Scotland in Edinburgh.
During the height of Impressionism in the 1870s and 1880s, Gustave Caillebotte (1848–1894) produced some of the movement's most daring and bold paintings. Experimenting with radical points of view and audacious perspective, he created images of Paris streets, of domestic life and of country pursuits that are unforgettable. Some 50 paintings from 1875 to 1882—the time in which Caillebotte was most committed to the Impressionist movement—will reveal his genius.
This exhibition of drawings and prints by Giovanni Benedetto Castiglione aims to reinstate the 17th-century master as one of the greatest graphic artists of the Baroque. Much of what is known about Castiglione, born in the cosmopolitan port of Genoa, comes not from his artworks but from court papers documenting his acts of violence, possibly even murder. He was, however, arguably the most innovative and technically brilliant Italian draftsman of his time.