The Brothers Le Nain: Painters of Seventeenth-Century France is the first major exhibition in the United States devoted to the Le Nain brothers, Antoine, Louis and Mathieu, who were active in Paris during the 1630s and 1640s. It gathers more than 40 of their best paintings and highlights the brothers' full range of production, with altarpieces, private devotional paintings, portraits and those poignant images of peasants on which their celebrity rests.
On view in the Renzo Piano Pavilion and Louis Kahn Building
The Kimbell’s permanent collection is small in size, comprised of fewer than 350 works of art, but is distinguished by an extraordinary level of artistic quality and importance. The idea of building a choice collection of representative masterpieces was established by the Board of Directors of the Kimbell Art Foundation in consultation with Museum’s first director, Richard F. (Ric) Brown, in a Policy Statement of June 1, 1966:
This groundbreaking exhibition is the first ever devoted to the young genius of Claude Monet. Monet: The Early Years will feature approximately 60 paintings from the first phase of the artist's career, from his Normandy debut in 1858 until 1872, when he settled in Argenteuil, on the River Seine near Paris.
The American architect Louis Kahn (1901--1974) is regarded as one of the great master builders of the 20th century. With complex spatial compositions and a choreographic mastery of light, Kahn created buildings of archaic beauty and powerful universal symbolism. Among his most important works are the Salk Institute in La Jolla, California (1959--65), the National Assembly Building in Dhaka, Bangladesh (1962--83) and the Kimbell Art Museum in Fort Worth, Texas (1966--72).
A Modern Vision presents a selection of the most iconic European paintings and sculptures from The Phillips Collection, America's first museum of modern art, which opened in Washington, D.C., in 1921. Ranging from the early 19th century through the mid-20th century, the incomparable collection of "modern art and its sources," as its founder, Duncan Phillips, characterized it, includes distinctive Impressionist, Post-Impressionist and Expressionist masterworks.